I just finished the best pair of fantasy books that I have read since I polished off Jonathan Stroud’s Bartimeus Trilogy or Megan Whalen Turner’s The King of Attolia. They were called Dragon Bones and Dragon Blood by Patricia Briggs, and I am astonished that a fantasy author of this caliber has escaped my notice for so long.

Fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles: from the classic list, the two books of the “Hurog duology” score an astonishing 10/10 (well, maybe 9/10; it isn’t fencing so much as swordplay). Add to that strong women characters (often sorely lacking in this Tolkien-inspired world), homosexual/bisexual relationships that are portrayed with the same depth of feeling as heterosexual relationships (although admittedly vilified slightly by the “young boys” predatory stereotype), and a world of realistic battles and fantastic heroics living side by side and you’ve got a winning formula if ever I’ve met one. I strongly recommend both Dragon Bones and Dragon Blood, and will be eagerly seeking out Patricia Briggs’ other novels.

Dragon Bones introduces us to a world of dragons long-dead, magic waning, and a problematic feudal system. After reading the blurb online and on the back cover, the story sounded pretty borderline, but Briggs successfully takes a plot that in other hands might have come across forced and hackneyed and deftly weaves it into a fascinating tale filled with memorably enjoyable characters. For whatever reason, I tend to enjoy children’s and young adult fantasy the most, and Dragon Bones successfully melds the pace and interest of young adult fantasy with some slightly more adult themes for an overall experience that should be appealing across a broad age span.

Dragon Blood is a bit darker than Dragon Bones (featuring, as it does, torture and political corruption), but every bit as good and leads the story in a more mature direction (appropriate, considering the aging of the characters). I found Dragon Bones more fun, while Dragon Blood was more gripping.

A big reason I enjoyed Dragon Bones and Blood is because Briggs successfully melds fantasy standbys in theme, plot, and setting with realistic-feeling world dynamics and characters. The heroics and magic are certainly larger than life, but they take place within the context of a world where violence is brutal and actions have consequences. It’s always a pleasant surprise for me to find an author who can write a complex fantasy world that utilizes fantasy tropes even as it moves beyond them, and Briggs does a good job of this.

Perhaps, though, the highest praise I can offer is this: when I laid down Dragon Blood, grinning like an idiot because I enjoyed it so much, the thought I came away with was “I want to write like this.”

Not only that, but she has a decent website, which is a pleasant change from some of my other favorite authors.

Rented I Am Legend tonight from iTunes, and I was very pleasantly surprised. From what I’d heard when it opened in theaters, I was expecting a pretty terrible movie, but it was actually really good. Definitely an interesting twist on the typical zombie virus story.

Then again, I hear that about the only thing it shares with the book is the premise, so perhaps that’s why people were disappointed. The ending is, granted, a bit of deus ex machina and the “dark seeker” CGI was at times rather over-the-top, but what the hell. Last movie I rented was Beowulf; I can handle some CGI oddness and slightly wonked out storytelling.

If you like horror/zombie movies, I’d recommend I Am Legend. It is, at the very least, worth a rental.

For a movie made by a lot of people I respect, Beowulf is pretty spectacularly bad. I rented it via iTunes last night and watched it with my girlfriend, and about halfway through I turned to her and commented that I hoped whoever wrote the screenplay was never allowed to write again. Imagine my surprise when we reached the end and I discovered the screenplay was written (at least in part) by Neil Gaiman, one of my favorite authors. Party foul, Neil. Major party foul.

Even worse, they decided to do the entire movie in CGI. While I enjoy a CGI movie as much as the next guy, the director and producers apparently decided to pour all of their budget into kickass water, cloth, and hair. Apparently no one thought to remind them that little things like facial expressions are actually way more important than long flowing locks. As a result, the dialogue sequences are like watching wax dolls who are half-asleep. Add that to the terrible script, and you’ve got a recipe for hilarity, but not in a good way.

On the other hand, if you’re looking for a movie you can mock the whole way through, or some mindless fantasy violence, then Beowulf might be for you. Just don’t expect the normally high caliber of the actors and writers to mean anything.

This is a pretty simple tip, but when I was looking around online I couldn’t find any information about it.

If you’re using FeedBurner (or some other feed that you don’t have direct control over) and you want your site’s favorite icon (often called a favicon, typically favicon.ico) to show up in association with the feed, stick it in the directory that the feed directs visitors to (this is usually your root directory).

I’d been wondering why my Tagamac and Beckism.com favorite icons weren’t showing up for anything except my browser; copying the favicon.ico file to the root directy of my website solved the problem.

If you control your RSS feed, of course, you can directly reference an image to be included with it instead of relying on auto-detection.

Judging by number of books owned, C.J. Cherryh is my favorite science fiction author. Although I had an early love affair with Orson Scott Card, he’s not consistent. Cherryh’s novels are consistently excellent and no one can build an alien culture the way she can.

I’ve recently been reading some of Cherryh’s older books, and as a result picked up Alliance Space which contains the novels Merchanter’s Luck and Forty Thousand in Gehenna.

Merchanter’s Luck is reason enough to buy the book. It’s a classic Cherryh novel (tense action from a close third person perspective in space), and has a nice dash of romance which isn’t something I usually expect from Cherryh. I highly recommend it.

Forty Thousand in Gehenna is unlike any other book that I’ve read. It takes place over 200 years, and in some ways almost feels like an exercise in world building and backstory rather than a traditional novel. It’s fascinating, but is unlikely to appeal to everyone (I’m not sure if I’ll reread it any time in the near future, either). It’s a shame that Cherryh hasn’t published anything using the unique culture that she builds in Gehenna; the two-page epilogue cried out for a sequel.

In any case, Alliance Space is an interesting collection, and certainly worth a read if you enjoy Cherryh (if you’ve never experienced Cherryh before then the Foreigner series might be a better place to start).

Bookends is on sale for 50% off today April 3, 2008 only over at the MacUpdate Promo. Although I haven’t tried Sente in a while, when I was doing my senior thesis Bookends was the best reference software on the market for Macs (Sente had a nicer interface, but didn’t support the social sciences as well; probably more appealing if I were in medicine). If you do research, you really ought to give Bookends a look; it’s an invaluable tool, even if it’s a pretty ugly program at first glance (although maybe version 10 has a more Mac-like interface; I primarily used version 9).

MacUpdate usually runs some level of sale on the software for a few days or weeks after the initial promo, too, so even if you miss the one-day 50% off deal it would probably be worth checking out.